Kim Cascone visits Künstlerhaus for a talk about his sound production. The core of his works is the concept of algorithm that has in particular influenced his “systematic-musical” compositions during the 1970s.

Cascone programs his Ambient Industrial Music-Productions in Max/MSP. His compositions often refer to film scores, contemporary theoretic discourses and new information technologies.

Kim Cascone has been working in the field of electronic music production for a long time. He graduated from Berklee College of Music in the early 1970s and continued his studies with instructor Dana McCurdy at the New School, New York City in 1976.