For Moon blows close, Lambkin has developed a large-scale painting and holding environment. In developing the 40-metre backdrop, Lambkin follows and digs out features – a tusk, the foot of a lark, a turtle. The work, which forms the setting for Lambkin’s performance and sound installation is at once an exercise of a method – following a necessary and purposeful faith in the coincidence of forms and thoughts – and a meditation on cohabitation and the profound depths of animal consciousness.