Illicit Form of Meditation consists of three time-related narratives that are visually represented in the exhibition space: Splitting (1973) by Gordon Matta Clark; Halcion Sleep (1994) by Rodney Graham and Evidence (2000) by Constanze Ruhm.

All three soundless works are meditations inspired by Matta-Clark’s quotations. They direct the spectator’s sight on social structures and architectures, collective pictorial worlds and forms of remembrance that illustrate the potentially scary constructions of supposedly familiar phenomenons.